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Open castings from production companies, casting agencies and indie filmmakers.
Bookish, melancholy, prone to digression. Voice should sit low and slow.
Lead. Brilliant, restrained, increasingly unmoored. Mostly internal performance, close-ups carry the film. Several scenes in Russian, willingness for accent work essential.
Institute director. Old-school authority, paternal warmth disguising cold pragmatism. Two long monologues, one in lab, one over chess.
Night radio host who keeps the show running while the building empties around her.
Building security officer who hears only half of every conversation and fills in the rest.